There is a lot of divulgence in this flick, relating to a few blunt, unresolved topics from the Indian politics, in regards to the ex-government. The trailer seemed very intriguing in terms of the controversial topic and a fantastic star cast. It didn’t include a typical Karan Johar type, high profile cast but consisted of critically acclaimed, underrated actors.

Well, when speaking about the film, it highlights the fact or fiction sort of a plot which is based on India’s second Prime Minister after independence, Shri Lal Bahadur Shastri‘s death. Herein, the topic is inclusive of some evidences which are followed by a few mouth shutting questions, which I think blurt out everything, indirectly. Intellectual people would understand it faster.

This is one of the many films which has been released in the past four months, on purpose, to obviously showcase something which had been hidden for almost five decades. To show people [especially Indian residents] something factual for them to realize what they were dealing with, for the past sixty years. Yes, I agree that they haven’t presented any evidence in relevance to a few other stated facts, but I think the intention was to just put it out there, to create a buzz.

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Now, The Tashkent Files seems to be half documentary – half drama, where there is nothing mind-blowing EXCEPT the topic of argument. Moreover, I quickly glanced through all the reviews and critical analysis of this film, just for the sake of curiosity. I was shocked to see that ALL of the major newspaper and magazine editors and critics giving only negative reviews to the film. I don’t think it deserves that.

Agreed that the film has nothing major to offer [and I don’t speak in support of any political party] but the kind of points which have been pinched, are worth a watch. As usual, for me, the film is only until it’s attention-drawing nature. At least, films like these are much more stirring than the idiocy out there [Total Dhamaal]. Plus, apart from a bit of melodrama by lead actress Shweta Basu Prasad, everybody performed their roles with complete justice and honesty. Especially, Mithun Chakraborty, Mandira Bedi, Naseeruddin Shah, Pallavi Joshi, Vinay Pathak and Pankaj Tripathi.

P.S.: Vivek Agnihotri (writer & director) shouldn’t have added Shweta‘s awful and displeasing jogging scenes.

3/5

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