Aladdin – Ecstatic. A perfect remodel.

It is one of those jubilant films which you could watch more than once. It definitely makes you sentimental and glad at the same time, bringing those precious memories back, which you loved and adored in the early nineties.

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Guy Ritchie (direction and screenplay) and his co-writer, John August had two main responsibilities. First, not to make too many changes to the story and second, to bring the exact same feel of the cartoon film Aladdin to the moviegoers, in this realistic form/version. They did it. To all those critics who gave this film a mediocre or below average rating, I want to be on the contrary. It is a semi-musical [according to me]. Be prepared for that. Even the cartoon film was, where the characters would express their innermost feelings through the medium of a melody. It didn’t seem weird, even after twenty six years.

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Mena Massoud (as Aladdin) & Naomi Scott (as Princess Jasmine) are confident and are more than apt for their roles. You will understand that from their first respective shots. It is quite fascinating how they managed to sing their parts themselves, so tunefully, which really brought relevance to their characters. It is quite better than making a professional sing for you.

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There couldn’t be a better Genie in a half-animated Aladdin than Will Smith. He has agreed and followed the rules of a musical. He hasn’t hesitated and has shown a full spirit towards his role. He is singing, dancing, having fun and all so gracefully. Smith is one of the vital reasons I would recommend this motion-picture to everyone. The flavor he brought to the film is the tastiest you’ll ever get. Two characters, which I found to be a little less convincing were Jafar (played by Marwan Kenzari), in terms of his ability to portray the antagonist, and The Sultan (played by Navid Neghaban), who, when compared to the cartoon film, was cute, fun-loving, jolly and sometimes childish. Herein, he is rigid, not all over the place, a little strict and adamant.

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The parrot Lago (played by Alan Tudyk), which was played by Gilbert Gottfried in the 1992 animated film of the same name, sadly has a very limited role (alike The Sultan) in the flick. Numan Acar played the splendid Hakim. Furthermore, the soundtrack is remade by same composer of Aladdin (1992) Alan Menken, elegantly. He is accompanied by Golden Globe winner duo, Pasek & Paul, in making the background score and music flawlessly.

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What’s new about the film? Just a little. New generation music and dance (hip-hop, rap, beat-boxing etc.) obviously because Will Smith is in it. Also, the magic tricks genie performs, while exaggerating his powers, have been added with things which weren’t available back then, in the 90’s. An addition of a character, Dalia (Princess Jasmine’s handmaiden) didn’t seem unnecessary.

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Aladdin is the most perfect adaptation of it’s animation film. There is nothing to dislike in the film. With a world class direction, graphics, plot and soundtrack, it will keep you entertained and delighted till the end.

4.5/5

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Pokémon Detective Pikachu – Reminiscing, slightly.

I wasn’t going to watch this film for Pokémon or the characters and hell I didn’t even know many of them. What really got my attention was when I read that Ryan Reynolds has given his crazy voice to the character of Pikachu. The Deadpool star is one of my favorite actors because of his great sense of humor.

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This collaboration of actual human actors and Pokémon monsters was really well thought of, yet, lacks so much in the story and the addition of various other characters/monsters. There are 812, according to Wikipedia. It is a secret as to why Reynolds adds his comedic manly touch to the cute, adorable Pikachu, which, shall be revealed way after the climax of the flick.

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Inclusive of a display of some next-generation technology, some great graphical representation, this film is adventurous. It has a good portion of comedy, thanks to Ryan Reynolds, of course. Rob Letterman, the director, who has made a few beautiful films in the past, unfortunately, couldn’t bring out the charisma, which was very much required in this game-adapted Pokémon Detective Pikachu.

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Apart from some moments of recollection of our good old memories concerning this legendary Japanese game and characters (or monsters) [which has been played on various different mediums since 1995], there are only a few notable things this film has to offer. Which reminds me to mention about a superb upcoming actor, Justice Smith (as Tim Goodman). With great dialogue delivery and facial expressions, he is quite the impressive one. A year younger to him, the female lead, Kathryn Newton (as Lucy Stevens) still has a few skills to master, however, is not that bad an actor. Probably experience shall teach the pretty one some more.

2/5

The Adventures of Tintin: The Secret of the Unicorn – Exquisite.

As described in the title of the film, this flick is not even a bit short of adventure. Packed with tons of action sequences and shipshape comedy, this movie does not fail to entertain.

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The graphics nowadays, are just eight to ten percent far from reality. In a few years’ time, I’m sure, developers will clone the real motion films completely. When I used to read Adventures of Tintin in a comic book, I never thought that it would turn into an actual film. Director Steven Spielberg gave a full square deal to the direction, taking into heed the minor most details of the characters and the scenes.

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Janusz Kamiński‘s cinematography is just gnarly. I wasn’t inattentive at any point of the film. Jamie Bell, Andy Serkis and Daniel Craig gave terrific voice expressions. Snowy, the dog and Thompson (voiced by Nick Frost) & Thompson (voiced by Simon Pegg) brothers are very jocular! Furthermore, I would appreciate specifically how each scene changed into another. Very innovative.

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The character of Tintin in Adventures of Tintin: The Secret Of The Unicorn is displayed exactly how it is in the book. How he ends up in a ship from his house, suddenly or how he has a lot of questions or how he reacts to every action or even how he solves every mystery towards the end of the story. Spielberg and screenplay artists Steven Moffat, Edgar Wright, Joe Cornish, have succeeded in this obligation, which would have been one of the most arduous tasks.

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“There are plenty of others who are planning to call you a failure, a fool, a looser, a hopeless souse! Don’t you ever say it of yourself. You send out the wrong signal. That is what people pick up. Do you understand? You care about something, you fight for it. You hit a wall, you push through it!”

– Captain Haddock.

4/5