Sometimes it felt like this film is getting on to my nerve. Sometimes it felt like it’s so simple and pristine [after I kept a lot of patience].
Nawazuddin Siddiqui in a romantic role? I don’t buy it. Some of you might think or believe this. But trust me, if we talk about playing a role, this guy masters it. How he has played a simple, village-born and a shy Muslim is commendable. On the other hand, Sanya Malhotra, who I have been admiring since her debut film Dangal, has played a shy, reserved and a distinctive Gujarati girl, Miloni, who is studying to become chartered accountant. However, she, very randomly meets Riazullah (Siddiqui), who clicks photos for tourists at the Gateway Of India for a living. And my my my, what chemistry the pair had between them. Quite astonishing.
Their love story is unplanned and purely coincidental. But, the way Ritesh Batra (director & writer) unfolds the story, taking his own sweet time, defines how unintentional life is and how, a love story can still seem vintage, without the use of social media, instant messaging and smartphones. I really liked how he has executed it, but his screenplay could have been a little better, somehow bonding well with the quality of the direction. Photograph is inclusive of a little bit of satire. It also consists of some cute comedy. Some double-meaning jokes. Not too vulgar though. Plus, minute roles of Geetanjali Kulkarni, Sachin Khedekar, Vijay Raaz, Akash Sinha, Jim Sarbh and Saharsh Shukla added a zest of their own.
The flick has it’s good and innocent moments. Although, it is hard to find an audience who would prefer to watch a film like this in a theater. Patience is an obligation here.