I wasn’t going to watch this film for Pokémon or the characters and hell I didn’t even know many of them. What really got my attention was when I read that Ryan Reynolds has given his crazy voice to the character of Pikachu. The Deadpool star is one of my favorite actors because of his great sense of humor.
This collaboration of actual human actors and Pokémon monsters was really well thought of, yet, lacks so much in the story and the addition of various other characters/monsters. There are 812, according to Wikipedia. It is a secret as to why Reynolds adds his comedic manly touch to the cute, adorable Pikachu, which, shall be revealed way after the climax of the flick.
Inclusive of a display of some next-generation technology, some great graphical representation, this film is adventurous. It has a good portion of comedy, thanks to Ryan Reynolds, of course. Rob Letterman, the director, who has made a few beautiful films in the past, unfortunately, couldn’t bring out the charisma, which was very much required in this game-adapted Pokémon Detective Pikachu.
Apart from some moments of recollection of our good old memories concerning this legendary Japanese game and characters (or monsters) [which has been played on various different mediums since 1995], there are only a few notable things this film has to offer. Which reminds me to mention about a superb upcoming actor, Justice Smith (as Tim Goodman). With great dialogue delivery and facial expressions, he is quite the impressive one. A year younger to him, the female lead, Kathryn Newton (as Lucy Stevens) still has a few skills to master, however, is not that bad an actor. Probably experience shall teach the pretty one some more.
Over the decades, we were made to believe that superheroes always save the day and it always ends on the note of happily ever after. Post Avengers: Infinity War, the directors (Anthony & Joe) took the Avengers series to the next level. It had grown older. It had bigger wings. It had a more realistic and a mature approach. It has reached beyond the point where the graphical representation, the actors’ performances or even the photographic work are being praised. We are way past that. Hence, it is the plot or script where it must actually flourish.
Admitting, that this one had a mediocre start. A little laid back. Possibly more practical. More human-like. The most longed-for film is huge, yet, it is not what I wanted it to be, or as per my assumption and what many of the moviegoers [especially Marvel fans] might have wanted it to be. However, it makes you run through a lot of emotions. It is inclusive of a few applause-worthy and whistle-worthy scenes. Avengers: End Game has explained the term C’est La Vie, very conspicuously. Two factors which were supported and displayed in a crystal manner, were feminism and racism. In my opinion, these factors are supposed to be conveyed very indirectly. Furthermore, this motion picture is running for twenty four hours in a few parts of the world. It has already made double of it’s investment, in the matter of two days. Fans have watched it five to six times already. That is something!
It is beautiful how Anthony and Joe Russo stitched the ten years of films of the MCU along with the End Game, combining the past, the present and the future and gave it a sense of completion. The appreciable factor is that the audience were kind and lived up to Russo brothers’ expectations and made sure to follow their appeal. Moreover, it is also important that you know that if you are expecting any after credit scenes [which Marvel fans usually do; even I did], there aren’t any. And a more pressing matter is that if you haven’t been following all the rest of the Marvel Cinematic Universe flicks, you WILL not understand the details of the characters and the film.
If I talk any more about the flick, the chances of a disclosure is very high.
When we come to analyze introductory films for Marvel characters or even DC characters, they coincidentally turn out to be at the level of mediocrity. If comparing Black Panther with this film, as it pretty much matches with it in terms of timing of release before the new Avengers film or even for an intro for a new character, it felt a lot more wholesome in front of this.
Something or the other always is inadequate. Speaking about Captain Marvel, which was hyped when it’s trailer came out, Brie Larson gives her utmost best to be pitch perfect for the role of Carol Danvers / Vers, by being confident, seeming powerful and acting fearlessly.
The supporting characters (Jude Law, Samuel. L. Jackson, Lashana Lynch, Ben Mendelsohn and Annette Bening) prove their worthiness of existing in the movie. Because, I personally feel, Larson couldn’t have been able to do it on her own.
The action bit comes a little later in the film as the theoritical history needed to be shown and how it all started for her. What I loved most about the film were the use of advanced technology and a pretty 90’s background score (by Pinar Toprak), apt for the era the film is being shown from.
Without being even remotely sexist, I wished that there would have been a male character portraying Capt. Marvel. There had been a lot of various comics where a female was created to portray as one but Stan Lee created the character with a male in mind. In fact, when the character of Captain Marvel was launched in the comics, it was a he.
How much ever the duo Anna Boden & Ryan Fleck tried to make this film better with their beautiful direction, they couldn’t do much on the screenplay and story along with the other writers. It lacked that spark.